YOUR DAY TO DAY PAINTING SCHEDULE
Course Description:
Landscape Painting in oils, watercolour or acrylic
Immerse yourself in the light, colour, and atmosphere of the Umbrian countryside in this five-day
landscape painting course. Designed for artists who wish to deepen their understanding of paint-
ing from nature, this immersive experience combines structured learning with the inspiration of
Italy’s timeless scenery.
Throughout the week, you will explore composition, colour theory and harmony, and the expres-
sive possibilities of oil paint in the landscape. The course emphasises both direct observation and
thoughtful refinement, encouraging you to balance spontaneity in the field with careful develop-
ment back in the studio. Individual guidance is tailored to each participant’s level, whether you
are strengthening foundational skills or refining a mature painting practice.
Day 1
Orientation and First Impressions
An introduction to the landscape and materials. You will begin with sketches and tonal studies on
location to establish a sense of structure, light, and atmosphere.
Day 2
Colour Theory and Observation
Focusing on colour relationships, you will learn to interpret the Umbrian light through hue, val-
ue, and temperature. Exercises will develop sensitivity to colour balance and harmony within the
landscape.
Day 3
Composing the Landscape
Explore strategies for creating strong, cohesive compositions. You will work on small oil sketches
outdoors, developing confident design choices and spatial depth.
Day 4
Developing Studio Paintings
Using sketches and studies from previous days, you will begin refining a more resolved landscape
painting in the studio. This stage allows you to translate plein air impressions into a considered
composition while maintaining freshness and vitality.
Day 5
Refinement and Reflection
Final adjustments and finishing touches are made to your paintings, with time to consolidate what
you have learned throughout the week.
By the end of the course, you will have strengthened your understanding of colour, composition,
and pictorial structure, and developed a deeper connection to the landscape through observa-
tion, reflection, and paint